“Perceptive, funny play about two young girls growing up in Bradford and facing up to what lies in store. A real pre-Christmas treat.”

Photo Credit: Alex Brenner.

“Manchester Collective in a typically innovative and inspiring programme.”

“Interesting, complicated, over-long sci fi drama.”

“For those who like adult pantomimes – if not, stay home.”

Photo Credit: Oli Sones.

“A repeat viewing? Possibly, if only to try and unravel more of the plot pointers.”

Photo Credit: Marc Brenner.

“Possibly the best Charles Court Opera Company pantomime ever!.”

Photo Credit: Alex Brenner.

“A moving Holocaust story and a fascinating account about the decade long existence of Constella Music as it is now to be known.”

Photo Credit: Constella (image of Geyer)

“Ariel Lanyi: piano playing of probing intelligence.”

“The RLPO on top form in repertoire both serious and spectacular.”

“An audience pleasing pantomime.”

Photo Credit : Manuel Harlan.

“Littlewood’s magic is lacking but for first time audiences this production should still work powerfully enough.”

Photo Credit: Alex Harvey-Brown.

“A towering achievement that brings Rachmaninov’s preludes to vivid life.”

“Virtuosity and variety from two engaging musicians.”

‘Powerful and complete readings of two romantic masterpieces .’

Photo: Courtesy of CBSO, Photograph of Francesca Dego.

‘Edward Scissorhands is a supreme theatrical achievement on every level.’

Photo Credit: Johan Persson.

‘A stunning performance of a Schumann symphony, but some tensions between an early music approach by a modern orchestra in their performance of Bach.’

‘A searing play for our times – unmissable.’

Photo Credit: The Other Richard.

‘Drama goes where other debates cannot reach.’

Photo: Courtesy of RSC, Stratford-upon-Avon.

‘Opera North’s Falstaff is a production where all the darts score a bullseye.’

‘A glittering deeply moving performance of a much-loved classic.’

Photo: courtesy of WNO