“Intimate musical conversations between equals.”

Photo credit: Lakeside

“Beautiful.”

Photo credit: Johan Persson

“…rhythmically complex chord progressions over the top, with crisp unanimity: very impressive.”

Photo credit: American Quartet Event-page

“The Nottingham Classics season ends with a Technicolor journey through the Slavic soul.”

Photo credit: Otto van den Toorn

“These arrangements hark back to the time before authenticity in performance practice had taken hold.”

Photo credit: Hannah Blake Fathers

“Revolutionary rhythms and poetic intimacy combine with some distinctively Polish voices.”

Photo credit: Frances Marshall

“Packed with Abba hits, this show remains a copper-bottomed theatre filler.”

Photo credit: Brinkhoff Mögenburg

“Bold and surprising; not what we expect.”

Photo credit: Marc Brenner

“A masterclass in all that makes chamber music special.”

Photo credit: Lakeside

 “A spare but unsparingly intense production.”

Photo credit: Craig Fuller

“A dream of A Dream.  Shakespeare bigged-up but not dumbed-down.”

Photo credit: Manual Harlan

“An exceptionally fine reading of Brahms’ Violin Concerto and a convincing performance of one of Rachmaninoff’s weaker works.”

Photo credit: Hannah Fathers

“Simply delicious!”

“More misses than hits.”

Photo credit: Peter Davies

“Lyrical grace, fearless technical precision and deeply personal commitment.”

Photo credit: Lakeside

“A searingly intense and insightful reading of a monumental piece of chamber music.”

“Rich, vivid playing from the RLPO and staggering virtuosity from the soloist.”

Photo credit: Chris Christoloudou

“Depth, inspirational with very funny humour.”

Photo credit: Tim Hodgson

“Some Puccini opera scores viewed from an unusual angle and a technically tight Beethoven Concerto.”

“Music that distils the soul of Spain, played with passion and brilliance.”

Photo credit: Marco Borggre/Warner Classics-Erato